That’s a fairly low hurdle for only seven films to clear. Meaning they are not there to simply provide colorful commentary, paint urban authenticity, or (perhaps most commonly) set up a punchline the character should matter. character must be tied into the plot in such a way that their removal would have a significant effect.
That character must not be solely or predominantly defined by their sexual orientation or gender identity (i.e., the character is made up of the same sort of unique character traits commonly used to differentiate straight characters from one another). The film contains a character that is identifiably lesbian, gay, bisexual, and/or transgender (L.G.B.T.). Inspired by the famous Bechdel Test and named for GLAAD’s co-founder, the Vito Russo Test has the following requirements: Chow makes The Hangover III one of only seven films that passed GLAAD’s Vito Russo Test in 2013. Chow from The Hangover trilogy, saying “it’s disheartening that this offensively constructed character also stands out as one of the most significant among the 2013 releases.” Cameron Diaz’s allegedly bisexual character in The Counselor was dismissed because, according to GLAAD, “the film does little more than tease this as a possibility.” And almost against their will, GLAAD included Ken Jeong’s Mr. From some of the language in the study, it would seem that GLAAD struggled to include even 17 films on this list. To me, Gloria and Meg are alreadyīut the L.G.B.T.-positive message of Peeples serves as an anomaly on this grim list, where gay characters are not only punchlines ( Grown Ups 2, We’re the Millers), but also punching bags ( The Wolf of Wall Street, Pain & Gain). To present it as matter-of-factly as it actually is, and I didn’t want 
More than we admit it in the African American community. The truth is, we are living and loving gay family members way
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